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Concentric Literary Magazine

The Avant-Garde of Tradition

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A Direction in Critique

Critique, critique, we've all too much of critique.

Posted byAkshay C GollapalliMarch 6, 2020March 6, 2020Posted inEditorial, Theory and CriticismLeave a comment on A Direction in Critique

Toward a Definition of ‘Poetry’

Part One: The Torch-Bearers of Tradition

Posted byMatt WildermuthMarch 4, 2020March 22, 2020Posted inTheory and CriticismLeave a comment on Toward a Definition of ‘Poetry’

The Red Rider

A Myth of Cheshire.

Posted byJuleigh Howard-HobsonMarch 2, 2020March 2, 2020Posted inPoetry1 Comment on The Red Rider

A Glad Reintroduction

On our return and why we're here.

Posted byAkshay C GollapalliMarch 2, 2020March 4, 2020Posted inEditorialLeave a comment on A Glad Reintroduction

The Hellmount

Galahad set forth unarmed empty-handed along his way

Posted bySolon OrientalisFebruary 20, 2019March 2, 2020Posted inPoetryLeave a comment on The Hellmount

This, Our Land

In this photo-essay, Fabrice Poussin takes us through the regality of this, our land, before man's feet have trod it, and to where, even now, our feet have yet left it an unconquered kingdom of nature's imperial majesty.

Posted byFebruary 7, 2019February 2, 2019Posted inFeatures, Photography and Visual ArtLeave a comment on This, Our Land

Prospero

His tome cast to plunge and fade to subtle worth In precious fragments faint, he paused to glean

Posted byMatt WildermuthFebruary 4, 2019February 2, 2019Posted inPoetryLeave a comment on Prospero

Ricorso

How dimly in winter attends to the heart That teeming season of our out-bloomed prime,

Posted byMatt WildermuthJanuary 29, 2019January 31, 2019Posted inPoetryLeave a comment on Ricorso

Infinity

Ming Yue’s parents had plans for her. She knew that. She had been brought up to be conscientious, hard-working, diligent, and studious.

Posted byDavid LandrumJanuary 22, 2019January 28, 2019Posted inFictionLeave a comment on Infinity

“Yael,” and the Politicizing of Art

Banal observations, meek style, and nearly complete absence of poetic images—such is “Yael,” an “important” and “brilliant” “non-binary” epic.

Posted byMatt WildermuthDecember 13, 2018January 28, 2019Posted inEssays, Theory and CriticismLeave a comment on “Yael,” and the Politicizing of Art

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A magazine publishing the works which carry the flame of classical work. Not worship of ashes, but bearing the flame.

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